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November Writing Updates

November was a busy month.  No NaNoWriMo, but I still accomplished about 130,000 words this month all told. Finished the ghostwritten adventure thriller, finally. WHEW.  Soundtrack:  Vocal Sea Shanties. Finished the ghostwritten cozy (second in its series) on time, although with changes to the plot.  The stuff in the outline wasn’t working, and the client

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November Wrap-Up

November was a kind of tipping point for me, although what it is exactly that I tipped between, I’m not sure.  It feels like I tipped between “not confident” and “confident” on a personal level, as in, “She is a confident person.”  But where that came from or what it means, I don’t know.  It’s probably

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Talk to the Hand

Something I’m exhausted of lately: The kind of drama that comes from people who want more from you than they’re willing to give. Sometimes that drama comes in very polite packages, and it’s only when you step back can you assess what’s not being done or said and strip the message down to its core

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Fake Drama

Personally, I think if you’re going to end a horror story on an “everybody dies” note, it has to be because the characters chose it that way OR out of irony when they do everything right but it still doesn’t work, not because they oopsed into failure.  If the situation was always hopeless, there never

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Marketing bootstrap.

This marketing stuff gets a little easier.  As I try different things, as I get more feedback from readers, I’m starting to realize who my readers are and what they want.  Why me?  Why not Stephen King?  Or rather why me and Stephen King? What they want tells me how to market (not that I’m

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What do you have to say?

The loudest people in the room, the ones who dominate the conversation, aren’t the most interesting ones.  They mostly just have this trick of being animated while they talk.  Excited about what they have to say.  At great length and, often, volume.  Wit and charm help.  So does a sense of order in one’s storytelling.

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