Series Note:
For years, I have written stories about the magical in World War II. If faeries existed (and I believe they do), I needed to figure out why they weren’t using their magic to stop that particular conflagration. Five short stories and three novellas later, I still don’t have an answer, but I know I’ll never look at the war in the same way again. – Kristine Kathryn Rusch
Series Description:
Some laws bind mortals. Others bind magic itself.
The Faerie Justice series brings urban fantasy legal drama to life, where the laws of the human and faerie worlds collide. In the courts, supernatural cases challenge mortal legal systems, revealing the hidden power struggles between humans and the fae. But justice isn’t always fair—especially when magic is involved.
Step into the courtroom where magic and law are one and the same in this urban fantasy legal series.
Excerpt:
Later he poured over old newspapers, Life and Time magazines, and the newsreel footage kept by the War Department, looking for her, even though someone told him she couldn’t be photographed. Still, he thought he saw her in at least two of the attempted Hitler assassination sites—as part of the 1939 crowd in the Munich Burgerbraukeller, and bringing coffee to the men at the 1944 Wolf’s Lair meeting. Sometimes he saw a swirl of light, and thought he caught a glimpse of her inside it—just a bit of black hair, a touch of skirt.
He told them to watch out for her in Nuremberg for the remaining trials, but of course, she never appeared there again.
She should never have appeared there at all.
***
He first met her in Paris, August, 1945. He had no way to describe how he felt then. “World-weary” was too weak a term, “depressed” too passive, and “defeated” put him on the wrong side. From the outside, he looked the same as he always had: Lieutenant Robert Parker in full dress uniform, square shoulders, square jawed, handsome in an All-American sort of way.
When he enlisted, his mother had brushed off those shoulders, tears in her eyes, saying, You look so grown-up, forgetting that he had already grown-up—a full-fledged college professor with a newly minted PhD. Twenty-seven years old, unmarried to his mother’s chagrin, oldest of seven children—five of them boys. He looked so grown-up then, and he had felt so grown-up, but he hadn’t known grown-up.
Some people never knew grown-up. They went through life doing what they were supposed to, getting married, raising children, contributing to their communities. They never shot at anyone at close range, had a friend bleed out beneath their helpless hands, or march into hell to save hundreds of skeletons standing next to piles of stinking corpses.
Some people never understood the dark side of life, and he wasn’t going to teach them. But he wasn’t sure how he would return to the lighter side or if he even could. Laughing surprised him and, oddly, Paris offended him.
It was so perfect—still the city he had seen in college. Sure, some windows were shattered, stoops broken, signs missing or torn down. The population was thinner, the clothing styles similar to the ones he’d seen nearly a decade before. But the city itself had no rubble, no stray dogs digging up rotted limbs from bomb craters, no children playing in the remains of houses. Even the food seemed good compared with the rest of Europe, although he really wasn’t one to judge. He’d been in Germany since January, and Germany was one gigantic bomb crater.
As it should be.
He didn’t want Paris to be destroyed. He had loved the city, back when he had been the kind of man who could love something. But he felt that Paris should have paid a price for her collaboration, for all the people it had sent to the camps, people whom he had seen either standing listlessly near a gate or stacked like cordwood outside so-called barracks.
He would never shake those days from his mind, never, and he couldn’t talk about them either. Sometimes he imagined sitting at his mother’s pristine dining room table as she placed the Thanksgiving turkey in the middle like something out of the Saturday Evening Post, his siblings and their spouses clutching the good silver around the even better china, waiting for the feast.
What did you do during the war, Robert? someone would ask politely, and he would say, he would say—
I learned that sometimes you saw so much it leached the empathy from you, so much that all you could do was turn away, and wonder what kind of monster would do this. And then I realized I had met the monsters that ordered this, talked with them, laughed with a few of them, and they hadn’t seemed like monsters at all. You’d think their eyes would be different, their lips would curl upwards revealing fangs. You’d think they would smell of death, but they were often perfumed, rich, charming. It was their victims that smelled of death.
Surprisingly, to him, Paris made these thoughts worse. As he walked down the Champs-Elysée, he would see—in his mind’s eye—the Nazis marching through, just as he had seen in the newsreels, the Nazi flag hanging from the Arc de Triomphe, the German soldiers leaning against the Eiffel Tower as if they had built it themselves.
And now that he was here, in a city where the Germans had been vanquished almost a year ago, a city that was quiet and lovely and seemed so very civilized, he felt angrier than he ever had. It was as if the city had taken his numbness and turned it inside out, revealing it for the cocoon it had been.
He wasn’t guarded any more.
He didn’t need to be. He had been on the winning side, after all.
The winning side.
As if anyone had won.
He hadn’t expected Paris to be hot in August, but it was. Before the war, he had come to Paris in the fall because his professors had warned him to stay away in the summer—not because of the heat, but because the French took the month of August off. He wondered if they had done that during the war. The famously rigid Germans probably had not allowed it.
So this August, the city’s emptiness should have been profound. But it was not. On his first free day, he took his lunch in the Tuileries garden and watched children play. Mothers, nannies, he couldn’t tell which, supervising and laughing as if they didn’t have a care in the world.
Old men lounged on benches near the Louvre, and somewhere in the back, the screech of a Punch and Judy show went on as if it had never been silenced. He had bought himself a ham sandwich which in Paris wasn’t two thin slices of white bread over processed meat, but a baguette with rich butter, a thick slab of cheese, and cured meat that had more flavor than anything he’d ever had back home—anything he’d had, truly, since the war began.
Still, he couldn’t eat. He looked at the beautiful garden, which had been one of Paris’s treasures since Louis XIV’s gardener laid it out in the early 1700s, and thought how the beautiful historic gardens of London had burned or still had unexploded bombs in the middle of them. He didn’t see the beauty of the Tuileries—he couldn’t see the beauty—because he knew it had been built on a betrayal so profound that he wasn’t sure he would ever be able to forgive this city he had once loved. Even though she still looked like herself. Even though everything he loved about her remained—except, perhaps, her soul.
At that moment, he saw her coming out of the Metro, and for a moment, he thought she was a human manifestation of the city itself. Tall, thin and oh-so-French. Her tan skirt was a bit frayed, but it still flared around stunning legs. Her shoes were scuffed, but the heels showed off her ankles. Her blouse was a starched pale pink which accented her slightly dusky skin. Her shoulder-length black hair swayed as she walked.
She was no different than the other women leaving the Metro, heading toward the Louvre on their lunch break, and yet she was. Because behind those fine cheekbones, behind the half-smile on her lips, was a light that he had never seen before. It was as if she had swallowed a bit of the sun, and its rays emanated through her pores.
He had never seen anyone so beautiful, so ethereal, and yet so practical and solid. Like the city herself, stunning and down-to-earth all at the same time.
He was on his feet before he realized it—standing, about to cross the garden—when he couldn’t see her any longer. She had been there, and then she was gone as if she had never been.
He turned toward the old men, dozing in the hot noontime sun, but clearly none of them had seen her. He looked up and down the rue di Rivoli, but he didn’t see her.
He knew that people vanished like that all the time. You took your eye off them for a single moment, and they turned a corner or ducked into a shop, and you never saw them again.
But he hadn’t taken his eyes off her. He had been watching her, studying her if truth be told, trying to memorize her, and she had winked away as if someone had turned out her inner light.
The incident left him a little shaken; he was more tired than he thought possible. He sat back down, opened the butcher paper surrounding his sandwich and ate it slowly, savoring every bite.
He had promised himself, after the horror of the camps, that he would enjoy each moment of his life, but he had broken that promise as the Army Jeep drove him away. He hadn’t enjoyed a single moment—he wasn’t sure if he still could.
But he would try.
He was in Paris. It was beautiful, and he would try.
Author bio:
Kristine Kathryn Rusch writes in multiple genres. Her books have sold over 35 million copies worldwide. Her novels in The Fey series are among her most popular. Even though the first seven books wrap up nicely, the Fey’s huge fanbase wanted more. They inspired her to return to the world of The Fey and explore the only culture that ever defeated The Fey. With the fan support from a highly successful Kickstarter, Rusch began the multivolume Qavnerian Protectorate saga, which blends steampunk with Fey magic to come up with something completely new.
Rusch has received acclaim worldwide. She has written under a pile of pen names, but most of her work appears as Kristine Kathryn Rusch. Her short fiction has appeared in over 25 best of the year collections. Her Kris Nelscott pen name has won or been nominated for most of the awards in the mystery genre, and her Kristine Grayson pen name became a bestseller in romance. Her science fiction novels set in the bestselling Diving Universe have won dozens of awards and are in development for a major TV show. She also writes the Retrieval Artist sf series and several major series that mostly appear as short fiction.
To find out more about her work, go to her website, kriswrites.com.