Responsibility. Sometimes I get tired of being a mother. It’s the responsibility. (Can you see the looks on some of my relative’s faces? “Ha! I knew she’d never be able to pull it off, the flibbertygibbet.” Of course, being all-American, all-Christian Midwesterners, nothing would be said. Nothing, not even, “How can I help?” Especially not […]
Jealousy. I’ve decided that reading Mecawilson is a bittersweet experience. Bittersweet? That’s not the word. If there’s some word combining the tang of pickles with the acidic, gut-eating taste of jealousy, then that’s the word I mean to use instead. “Bittersweet.” He’s funny. I’ve seen a lot of good writers on the net lately, good,
Oven. An update of my progress in editing “Feather” would read something like this: Crap. And you know what that means. Let’s have a nice learning experience, eh? I’ve finished the first go through the manuscript. I now have beats, which each of them have a beginning, middle, and ending; the story is now twice
Modern writers. The term “modern” gives some people the hives…yet all it is is a sophistication (although perhaps an over-serious one) of the moment when the vaudeville actor leans into the audience and winks. While “modern” poetry seems to be all clever renditions of the song “doom, despair, agony, and woe…WOOOOOE”* (i.e., T.S. Eliot), “modern”
Family. Rachael’s making noise. It’s important. She’s experimenting with her vocal cords. She’s experimenting with her ability to manipulate other people–what’s the best way to get people’s attention? Fussing? Crying? Squealing with delight? Coughing? She alternates, cute with crying, only to discover that pretty much any sound will get my attention. She smiles at me