April 2012

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I have a new story up, under another pen name.  I hadn’t planned to whip this name out until I got YOUR SOUFFLE MUST DIE out, but it really is that same sensibility.  Sam from YSMD is shinier…but just as violent, underneath it all.

So:

People Juice

by Diane R. Thompson

 (available at SmashwordsB&NAmazon, and more)

If there’s one thing that can ruin your workday, it’s getting harassed. Beautiful, blonde Jackie has figured out how to handle it—most of the time. But last Friday she almost got snagged in the parking lot by a guy in a hoodie wearing too much aftershave, and now she’s out for revenge.

People juice. It’s what I call my ability to handle other people and their idiot problems. I’m not shy, but I’m an introvert—being around other people just sucks the energy out of me. So when I’m out of people juice, that’s it. It doesn’t matter whether I’m having the time of my life or I’m at my ex-in-laws’ house. Love ya, gotta go, goodbye.

Fortunately, not many people notice at work. I’m in Quality Analysis at Bell-Maus Software Design, and everyone thinks I’m a stuck-up bitch out to get them. And the guys who hit on me don’t notice anything but my breasts anyway.

Hit on me. Good phrase.

So Monday I come into the office with a black eye. I’m making coffee in the tiny break area, because I’m the only blonde chick in the office, and if I don’t make coffee it’ll look weird.

José comes up behind me and tries to rub up against my butt as he slides past me to the fridge, but I twist out of the way and shove him from behind, so he gets cock-blocked by the garbage can.

“Hey!” he says. “What did you do that for?”

“What?” I say.

“Push me.”

I shake my head. “No way, José.” He hates that.

“You did!”

“Awww, did somebody lose his balance and decide to blame the dumb blonde?”

He finally manages to get his eyes out of my cleavage, sees the black eye, and says, “What happened to your eye?” Then the jerk tries to feel me up again.

“Fender bender,” I said. “Friday night. Some guy in a hoodie tried to jump me in the parking lot, then rammed me from behind when I got in my car. I whiplashed into the steering wheel. As if you didn’t know.”

I step aside, pour myself a cup of rancid coffee, and sip it noisily. Last warning. He’s wearing a white shirt, and I’ve performed scattershot on him before.

“What’s that supposed to mean?”

“I didn’t get a look at the guy, but I smelled him. And you were working late last Friday, too.” I take a deep whiff of his aftershave.

He splutters. “Are you accusing me?”

“Change your aftershave recently, José?”

He leaves the break area without another word, and yeah, he’s so mad that he forgets to pretend that the only way he can get around me is by bumping uglies. He’s in his supervisor’s cube faster than you can say “preemptive accusation of sexual harassment.”

I like messing with José. It doesn’t use up much of my juice.

*R is for “Raclette.”  Foodie pen names need foodie middle names: it’s a melty cheese that’s traditionally toasted in front of a fire, then served melted on potatoes with pickles. Yum, right?

I have a new article up at Indie Author News:

There’s a lot of good advice I didn’t take because I didn’t understand it at the time. Granted, taking advice before I’m ready for it isn’t smart–like taking the training wheels off my bike before I have a sense of balance. But now I have those training wheels off (although I haven’t stopped training), and I need to re-look at a lot of that advice.

Right now, I’m studying the use of all five senses in my writing. When I first heard the advice, I blew it off. “That’s so obvious, duh!” I said…but didn’t do it. Maybe because it never clicked. Maybe because it was explained poorly. Maybe because I wasn’t listening.

So why is it important?

Not because it makes my fiction “more realistic.” After all, it’s stuff we’ve made up; why is being “more realistic” important (especially in a fantasy or in a surreal work)?
It’s important because it’s easier to control your readers’ thoughts and feelings when you use sensory details. Or, if you want to sound less like a mad scientist and more like a literature professor, “to help your readers see the world in a new way.”

Granted, this comes out the morning after I just finished reading a Stephen King book, so I’m a bit depressed on my writing skills.  But the advice is really, really good.  And many thanks to Dean for giving it to me :)

Apologies, I’m writing this ahead of time, because I’m actually at Pikes Peak Writers’ Conference.  April 21-22, my ebooks Beware the Easter Moon and Alien Blue should be free at Amazon only.  Pass the word!

New kids’ fiction now available from Amazon, Smashwords, and Barnes & Noble,with other sites to follow (Kobo, Apple, Sony).

I’m trying something new…

This is actually a two-story pack, with “The Test” and another kids’ story set in a fantasy world, “The Scaredy Wizard of Theornin.”  Both play around with Grimms’ fairy-tale themes.

The Test

by De Kenyon

Mari von Ingler is good for nothing, not making sausages or sewing a straight line or anything of use in her village, so her father arranges for her to be an apprentice to a mage…but only if she can pass the mage’s test.

But when the mage arrives, he only sends her out into the forest with no instructions but to come back and tell him whether she passed. She means only to stomp off into the woods and hide for an hour, but now she’s so lost that it would take magic to find her way back…

Mari von Ingler leaned gently against the warm white wall of the inn on the bench made out of half of a tree trunk that nobody but travelers sat on. She didn’t dare move an inch more, or the splinter poking through her thick wool skirt and linen underthings would bite her. She closed her eyes and tried to swallow back the rotten taste in her mouth. She wished she hadn’t eaten Mama’s good food; she wished she couldn’t smell the roast turning on the spit, inside the inn.

Read the rest of this entry »

New fiction!  This is another book that’s going up on Kindle Direct Select, which means I’m leaving it up there exclusively for three months (until July 9).  I’ll announce when it’s available on other sites, but for now it’s at Amazon.com.

If you buy an Amazon copy but need an additional file format, contact me at publisher [at] wonderlandpress [dot] com.

Inspired by a discussion with one of Ray’s school crossing guards about the madness that was Easter on her grandparents’ farm–including finding last year’s Easter eggs.  And from Britney’s mention that they put out 500 eggs for their day-care Easter party.  500!  Which only worked out to five eggs per kid.  The joke at the beginning…well, that’s from Lee, which should surprise nobody who knows him.

Beware the Easter Moon

by De Kenyon

Colin’s tired of Grandpa stealing kids’ chocolate Easter eggs.  So he hatches a plan to make his Granpa eat one of last year’s Easter eggs.  One of the regular kind.  That stinks when it gets rotten.

It was a terrible plan.  But it was also a great plan.

He just shouldn’t have gone outside at the farm to get the egg on the night of the full moon before Easter.

Colin sneaked out of his grandpa’s big old creepy white house with the tree branches that scratched the windows and the heaters that went hunk hunk hunk all night long while his pile of cousins slept, drooling and farting and snoring.

Grandpa didn’t lock his doors, because he lived a long ways away from anybody else, but his shotgun was on a shelf in the closet, too high to reach unless Colin dragged one of the big silver and green chairs out of the sunroom and into the entryway and stood on it to see. Grandpa always said it was for coyotes.

But all Colin wanted to do was get his egg.

Read the rest of this entry »

Great!  Because the publishers don’t want you to.

Pikes Peak Library District is calling out big publishers about not providing library copies of ebooks…or charging over $100 a copy…or only letting the library check out the book 26 times before they charge the library for a new copy.

See their Facebook NOT eNOUGH page for a form letter to send to your favorite publisher today!

Or just pull off a copy of the letter here:

Join our letter-writing campaign!

Is your favorite author here?
Penguin Group (http://tinyurl.com/d8eaxb2)
Hachette Book Group (http://tinyurl.com/d9o65xy)
Simon & Schuster (http://tinyurl.com/d4q2zb)
Macmillan (http://tinyurl.com/c272f5f)

Send them this letter.

Ms./Mr. <insert author’s name>;

As a patron and supporter of libraries, I have long appreciated the opportunities that technology has granted libraries in the pursuit of providing information and entertainment to their patrons. The fact that we can access information 24/7 through our library’s website equates to a service of inestimable proportion. Likewise, the opportunity for libraries to share electronic copies of books – both in text and audio format – has been a great boon to the public’s ability to access information. Electronic reading devices, as you are well aware, are now a massive part of the way many people consume literature and information, and libraries need to be able to provide that content as they have always done. Over the last two years, the demand for eBooks has grown by leaps and bounds, and many library patrons are moving to eReaders as their choice for content delivery.

With that said, I want to express my displeasure with your publisher, <insert publisher’s name>. Rather than helping their longtime partners, public libraries, this publisher (and others like it) will not sell to public libraries. This disenfranchises public library users and cuts them off from your work. Patrons request that libraries provide this content constantly, but libraries have no recourse but to turn them away. Given the explosive growth of e-content, if public libraries cannot meet the needs of their patrons, libraries have less value in our communities. These publishers are, in effect, engaged in business practices directly detrimental to the survival of the public library in this country.

I understand that publishers are nervous about their property and intellectual rights – and authors are, too. What I do NOT understand, however, is why your publisher is apparently refusing to work with libraries at all in regard to e-content. There is already a secure DRM (Digital Rights Management) solution provided by all providers of e-content to libraries. I cannot believe that you, a popular author, do not want the public reading your materials, or to be able to borrow your materials, through the method that they prefer: from a public library.

I would ask you, as a prominent author, to bring pressure to bear on your publisher to open their e-content to public libraries. Failure to do so will deny public library patrons like myself access to your materials and other valuable content in the format that they desire. If the libraries of the future cannot provide content to patrons, they will truly die. That will be a very sad day for this country and for those who depend on the equitable access to information that they provide.

Sincerely,
<insert your name>

Pick your author, google them, and send them a nice letter.  More than likely, the author’s already on your side…and has a more direct line to the editors than you do.

What what what?  Why didn’t I know that National Library Week was coming up?  Because I’m an ungrateful wretch, that’s why.  Pass the word on!

You remember when you were a kid and the only place you could get book (aside from Christmas, maybe) was the library?  Yeah.

At Pikes Peak Library District, check out the Mountain of Authors program on April 14th, featuring Connie Willis.  Doors open at noon.  A ton of authors will be there, with panels on Thrill and Chills and epublishing, and a book signing at 5 p.m.

If you’re not local, join the Six Word Story contest on Twitter by tweeting your story with the hashtag #nlw6words; you’ll be automatically entered.  Results will be announced at atyourlibrary.org.  Write fast – you only have until Wednesday, April 11th to enter.

Available at Smashwords, Barnes & Noble, and Amazon.com, more to come…

Ebooks 101: Beginning Formatting

by DeAnna Knippling

I put together an ebook based on the Formatting 101 class I taught for Pikes Peak Writers in February…adding screen shots, step-by-step instructions, templates, checklists, and more.  This is the formatting ebook you want if you want to know the simplest method for getting your book as widely distributed as possible, without paying someone an arm and a leg to do it for you.

So you’re thinking about selling ebooks, but you don’t know where to start. This ebook covers beginning formatting, including screen shots for Microsoft Word 2007 users (users of other programs will have to adapt the steps to their own word-processing program).

You do not need to know any XHTML or HTML coding to use these ebook formatting techniques. You do not need any conversion software.

You will learn:
• How to format .doc files to be uploaded to Amazon, Barnes & Noble, and Smashwords for distribution to Apple, Kobo, Sony, and more.
• Some typesetting tips to make your manuscript look more professional.
• Workarounds and troubleshooting for common issues.
• Pointers for more advanced formatting techniques.

I don’t recommend this ebook for more advanced users, but for authors beginning to publish their ebooks independently. This process may appear complex, but it’s set up so the worst of the complexities you will only have to deal with once (to set up a template).

Coming Soon:

Ebooks 101: Basic Cover Design

Having trouble coming up with attractive covers on your own…but hesitant to spend hundreds of dollars on a single ebook cover? Ebooks 101: Basic Cover Design will take you step-by-step through the cover design and layout process for two basic cover types using the simplest of all graphic design programs: Microsoft PowerPoint. This is not a book for advanced graphic designers, but for authors just beginning the independent publishing process.  Includes checklists, tips, and where to go for more advanced techniques later on.

Editing for Independent Writers and Publishers

The #1 complaint about independently-published books is that they aren’t edited properly.  Learn to turn your book into a professional-looking product—help readers stop looking at your typos and start looking at your content. A freelance writer/copyeditor and former technical editor for the US Government explains the editing process, from developmental editing (before and during the writing process) through proofreading (the last step before you deliver the book). Includes checklists throughout.